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Chord Finder Chord Analyzer Guitar Chord Chart

Understanding the fretboard Intervals & chord construction Bye-bye b7! Voicings I Voicings II Diatonic Chords I Diatonic Chords II Extensions and Modifications

Major chords I - C A G E D Major chords II - barre chords Major chords III - modern Minor chords Minor seventh chords (m7) Slash chords I Dominant 7th chords (V7) Maj7 chords Diminshed (dim) & Half Diminished (m7b5) Altered dominant 7th chords (V7alt) Sus and Add chords Sixth chords Slash chords II

Chord Progression Matrix Modern Major Chords
I - IV - V 4 chords - countless songs
I - V - VIm - IV 4 chords - variation
VIm - IV - I - V Pop/Rock ballads with descending bass Minor 7th
I - IIIm7 - VIm7 - IV Sus chords
IIm - IIm7 - Vsus4 - V Let's get funky!
IIm7 V7 The Two-Five-One Progression
IIm7 - V7 - Imaj7 Two-Five-One in minor
IIm7b5 - V7 - Im7 Two-Five-One with altered V7 chord
IIm7 - V7alt - Imaj7 Slash chords - various progressions

Intervals Basic major chords Major and minor chords Complementary intervals sus4 and sus2 chords Triads Slash chords Minor 7th chords (m7) Diatonic chords Dominant 7th chords (V7) V7 and m7 chords V7 and maj7 chords V7, m7 and maj7 chords Diminished & half-diminished 6, 6/9 and add9 chords 9, m9 and maj9 chords 9, 11, 13, sus9, sus13 Altered dominant 7th chords (V7alt) Mixed chord extentions Substitutions

Bbm6 guitar chord chart with explanation

Bbm6

Bbm6

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Oliver Mochmann

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C minor 6th chord. The Cm6 chord is a minor chord with an additional major 6th. To get the 6th (A) go up a whole-step (2 frets) from the 5th or a minor 3rd (3 frets) down from a root tone. You can also take a Cm7 chord, find its minor 7th Bb and move it just 1 fret (1 half-step) downwards to the major 6th A.

The Cm6 chord consists of the tones C (1), Eb (m3), G (5) and A (6). The 5th (G) can be omitted.

Common chord progressions with the Cm6 chord:
The II-V-I progression Cm7 F7 Bbmaj7 can be modified to Cm7 Cm6 Bbmaj7. The Cm6 chord contains the same tones as a F9 = F7(9) chord without the root F. Thus the Cm6 chord has a similar tendency to resolve into the Bbmaj7 chord as F7 respectively F9. The intensified minor character (sad, sentimental,…) goes along with the tranquilized movement of the bass.
Another chord progression with the same intention: instead of Cmaj7 F7 Gmaj you are playing Cmaj7 Cm6 Gmaj7.
A different application are the so called line-clichés like Cm Cm(maj7) Cm7 Cm6, where just one single tone is moving up or down chromatically.