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Chord Finder Chord Analyzer Guitar Chord Chart

Understanding the fretboard Intervals & chord construction Bye-bye b7! Voicings I Voicings II Diatonic Chords I Diatonic Chords II Extensions and Modifications

Major chords I - C A G E D Major chords II - barre chords Major chords III - modern Minor chords Minor seventh chords (m7) Slash chords I Dominant 7th chords (V7) Maj7 chords Diminshed (dim) & Half Diminished (m7b5) Altered dominant 7th chords (V7alt) Sus and Add chords Sixth chords Slash chords II

Chord Progression Matrix Modern Major Chords
I - IV - V 4 chords - countless songs
I - V - VIm - IV 4 chords - variation
VIm - IV - I - V Pop/Rock ballads with descending bass Minor 7th
I - IIIm7 - VIm7 - IV Sus chords
IIm - IIm7 - Vsus4 - V Let's get funky!
IIm7 V7 The Two-Five-One Progression
IIm7 - V7 - Imaj7 Two-Five-One in minor
IIm7b5 - V7 - Im7 Two-Five-One with altered V7 chord
IIm7 - V7alt - Imaj7 Slash chords - various progressions

Intervals Basic major chords Major and minor chords Complementary intervals sus4 and sus2 chords Triads Slash chords Minor 7th chords (m7) Diatonic chords Dominant 7th chords (V7) V7 and m7 chords V7 and maj7 chords V7, m7 and maj7 chords Diminished & half-diminished 6, 6/9 and add9 chords 9, m9 and maj9 chords 9, 11, 13, sus9, sus13 Altered dominant 7th chords (V7alt) Mixed chord extentions Substitutions

F#m/B guitar chord chart with explanation

F#m/B

F#m/B

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Slash-Chord. On the left side of the slash you have a chord, on the right side the lowest tone (bass). The Cm/F (say „C minor over F”) is a C minor chord with a low F played in the bass.

The Cm consists of the tones C (1), Eb (3) and G (5). In a slash chord the bass can sometimes be part of the chord, but doesn't necessarily have to. In this case the bass note F is not a part of the Cm chord written on the left.

The Cm/F chord can also be considered as F7sus2 chord. Or as F7(9) without the 3rd being played. Therefore you can play this chord instead of F7 (F9, F13) or F7sus (sus2, sus4, sus9, etc.). Practically it will most likely be used instead of Fsus9 (and you can normally as well apply Fsus9 where Cm/F is written). Fsus9 can be interpreted as Cm7/F (considering the 5th C of Fsus9 being played). Usually you'll more likely interpret/write Fsus9 as Eb/F.

Of course you may also stumble across this chord, where several chords (mostly major and minor triads) are played over a static „pedal bass”.

Example chord progressions:
Bb/F  Cm/F  Dm/F  Cm/F
Cm/F  Dm/F  Eb/F  Dm/F
Bb   Bb/D   Eb   Cm/F
Bb   Bdim7   Cm9   Cm/F
Am7   G   Cm/F   Bb   C